
This week we are featuring ARRI's new fresnel lens for the Orbiter LED lamp, also from ARRI - we take a look at the latest SUP firmware for the ALEXA Mini LF and Blackmagic Design's latest updates to DaVinci Resolve 18.
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ARRI just announced their highly-anticipated new camera the Alexa 35. Building on the legacy of the original ALEXA released 12 years ago, the ALEXA 35 represents the pinnacle of digital cinematography. ARRI has developed a brand new 4.6K Super 35 sensor capable of capturing 17 measurable stops dynamic range, more than any other digital cinema camera and ensuring compatibility with all your favourite spherical and anamorphic lenses.
ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor for 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colours.
In this webinar we will explore the different looks you will get from different types of camera, matching your cameras, and the issues involved in a mixed economy of camera types. We’ll be referring to the PXW-FX9 with latest RCP control software, the BRC-X1000 PTZ camera, and the HXC-FB80 2/3” camera system.
Each year, thousands of content professionals from all corners of the media, entertainment and technology ecosystem go to NAB Show. It’s designed for those striving to drive listeners and engage viewers in larger numbers for greater reach. And it’s imagined for those seeking to create uncommon audio and visual experiences.We had a great time at NAB 2022 and enjoyed checking out a lot of new kit and developments from some of the biggest names in the industry. Please enjoy our small gallery below and check back in the coming days for our full rundown from the event.
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