RED 710-0305 DSMC2 GEMINI 5K S35 (Used)

RED 710-0305 DSMC2 GEMINI 5K S35 (Used)

Includes:

• 1X Top plate + top handle
• 1X VF mount
• 1X VF
• 1X Vocas 0350-2200 shoulder/vct mount
• 1X Kippertie ND wheel/PL mount
• 1X Jetpack-SDI expansion module
• 1X RED MINIMAG reader
• 1X DSMC2 EVF OLED + 1 cable
• 1X spare eyecup
• 1X USBC-USBC
• 1X USBA-USBC
• 1X Mini 4pin lemo to 3x BNC
• 1X Dtap to 4pin lemo (female)
• 1X EVF arm connector
• 1X RED PL Mount
• 1X RED Canon mount (EF/EF-S)
• 1X Kippertie ND wheel/PL mount
• 3X kippertie 2TB SSD
• 1X Vocas 0350-0017 RED EPIC/SCARLET Mount
• 1X EVF Mount + 15mm support
• 1X Wooden Camera A-BOX
• 1X Lemo side mount
• 1X Romford Baker moose bars
• 1X PSU
• 2X IEC
• 3X PORTABRACE BAG
• 1X FLIGHTCASE
• HOURS: 943.6, Firmware: 7.4.1

Bundling high-performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, to tell your story in almost any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to accessorize your camera. Even though the GEMINI sensor has fewer photosites than its HELIUM and MONSTRO brethren, it has a cool trick up its sleeve. Using advanced circuitry designed for the aerospace industry, the GEMINI can switch native sensitivities. Practically speaking, it can operate in both normal and dimly lit scenarios without prematurely blown highlights or excessive noise, respectively. Nearly limitless lens options are available for the DSMC2 system.

REDCODE RAW is the format of choice for DSMC2 cameras. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.

Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, you have a high-resolution gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. Exchange the included standard OLPF (Optical Low-Pass Filter) for alternative image renderings at the sensor level. Mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable. Since the DSMC2 form factor is standardized, any accessories that you have for this DSMC2 body will work with any other DSMC2 body, should you upgrade or acquire an additional body in the future.