Panasonic AJ-PX5100GJ HD P2 Camcorder 2/3-inch type

Panasonic AJ-PX5100GJ P2 HDR AVC-ULTRA Camcorder

The AJ-PX5100 2/3 type B4 lens mount shoulder camera recorder combines superb image production and exchangeable lenses with a light built. The AJ-PX5000G’s three 2.2M pixel MOS sensors deliver a horizontal resolution of 1000 TV lines and sensitivity of F13 at 50i and a signal to noise ratio of 62dB.

The camcorder features HDR (HLG) support, dual codec recording with AVC-proxy and can record in AVC-Intra200/100/5 and AVC-LongG25/50. It includes two slots for P2 cards and 2 slots for microP2 cards. The unit is 50Hz- and 59.94Hz-switchable for global usage.

Incorporating the real-time messenger protocol (RTMP) function, the PX5100 camcorder can be used for interviews in news reporting, producing documentaries and other special feature stories. With its breadth of recording options, exceptional image quality, and expandability the AJ-PX5100 is also targeted at high-end corporate and sports production, as well as the rental market.

Key Features

• HDR support with SDR output, while recording HDR.
• Offers a streaming function compatible with RTMP, in addition to RTSP. Also P2 Cast and P2SS compatible.
• 1080/50p (60p) recording and 3G-SDI output.
• AVC-Intra or AVC-LongG high-quality images and dual codec recording of AVC-Proxy.
• Includes various network connections, such as Wired/wireless LAN, 4G/LTE and Bonding Services

3MOS Image Sensors

At the heart of the camera are three 2/3" type sensors designed to capture the most detailed images with high sensitivity and minimal noise.

HDR HLG (hybrid log-gamma) Support

Simultaneous HDR and SDR output is also supported. While SDR gamma curves enable viewing of HDR images on standard dynamic range monitor or viewfinder. Also available is another feature, which enables Push to select HLG grading in the viewfinder for a quick HLG level check.

AVC-ULTRA Codecs

Camera professionals can now select from multiple high-quality, efficient H.264 codecs like:

• High-resolution AVC-Intra200 for mastering
• AVC-LongG for efficient storage
• AVC-Proxy modes for quick turnarounds
• Conventional DVCPRO to fit into existing workflows

Various Frame Rates for HD and SD Acquisition

• 1080p at 24/25/30/50/59.94/60
• 1080i at 59.94/50 for global use
• 720p at 24/25/30/50/60 for HD capture
• 480/60i and 576/50i for SD capture

Advanced Networking

Optional, Flexible Connections for Streaming and P2 Casting

Use with separately available:

• Panasonic AJ-WM50 or AJ-WM30 wireless modules
• Third-party 4G/LTE dongles
• Wired LAN setup
• Wired/wireless options include proxy preview, remote camera control, and playlist editing via Mac or PC
• Full HD streaming available via QoS (Quality of Service) mode, PC, and optional P2SS (streaming server) QoS (Quality of Service) mode

Chromatic Aberration Compensation (CAC)

Compensates for circumjacent chromatic aberration when used with a CAC compatible lens

Dynamic Range Stretcher (DRS)

A DRS (dynamic range stretcher) function suppresses blocked shadows and blown highlights for maximum dynamic range

Multiple Gamma Curves

Choose from eight gamma modes for a distinctive look:

• HD, SD, FilmLike 1/2/3, Film-Rec, Video-Rec, or HLG
• High Sensitivity / Low Noise
• Super gain and digital super-gain settings for increased sensitivity in low light without increased noise

Operating Features

• 960 x 540 LCD monitor with switchable Live view and Status view
• Focus assist features include zoom and red focus peaking
• Smooth white balance transitions
• Waveform, vectorscope, and zebra functions
• Five user-assignable buttons
• Lens and setup file storage
• On/off selectable tally switch

Versatile Recording Options

• Dual P2 card and dual microP2 card slots offer dual-codec, simultaneous, and hot-swap recording options
• One-Clip Rec mode enables you to record up to 99 consecutive cuts as a single clip
• Pre Rec mode buffer feature stores around eight seconds of video and audio while in standby mode
• Loop Rec uses the dual card slots to record an event in loop mode
• Interval Rec used for intermittent recording at set intervals and times
• One-Shot Rec records individual frames for animation work
• Text Memo, Shot Marker, and Metadata recording

24-Bit, 4-Channel Audio Recording

• Selectable mic-in, line-in, or wireless receiver recording for each of four channels
• 24-bit/48 kHz recording in AVC-Intra and AVC-LongG modes

Versatile Connectors

• 3G-SDI input and output connectors support up to 1080p60/50
• 2-channel XLR audio input connectors with +48V phantom power
• HDMI out, timecode in/out, genlock in
• USB 3.0 (host) and USB 2.0 (device)

IP/iPad Remote Control

iPad Remote Control: Downloadable P2 ROP app for picture quality setting, Rec start/stop, thumbnail clip display, proxy preview, metadata display, and editing. Also available is a 10-pin port for optional AG-EC4G Extension Remote Control Unit or AK-HRP200G Remote Operation Panel.

The system is also compatible with an Optional camera extension system (AG-CA300G Camera Adapter and AG-BS300 Base Station) for affordable studio operation. In addition, the IP Remote (LAN) for wired control with the optional AK-HRP200G Remote Operation Panel is also available.