Sony

This week we are featuring Sony's two highly anticipated full-frame lenses the Sony 600mm f4 GM and FE 200-600mm f5.6-6.3 designed for sports and wildlife, a new RED DSMC 2 Gemini 5K Kit, plus DaVinci Resolve 16 Beta 4 from Blackmagic Design.

This week is our Cine Gear Special featuring details of the upcoming Sony VENICE firmware V5.0, the Lumix S1H FF mirrorless camera from Panasonic, Atomos's brand new high-end monitor/recorder line-up called Atomos Neon plus the world's first wireless ...

In this Webinar, Obs Doc Self-Shooter Sarah Stevenson shares her experiences of shooting with Sony’s new handheld Z280 – which as she puts it, is ‘everything you love about the FS7 (and more!), but in a compact PMW-200 body’.

Using her first-hand experience from the field, she’ll talk about the pros and cons of shooting obs doc scenes with the new Z280. Sarah will compare it to Sony’s last camera offering of this size, the PMW-200 and the obs doc workhorse the PXW-FS7. She will also share her thoughts on the Z280’s brand new features which could revolutionize the way you shoot your obs doc in the future.

Watch our webinar recording below:

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At this year’s NAB show, (yes I know it seems like a long time but it’s not really) Sony launched the HDC-5500 which for many people sneaked under the radar. This is Sony’s new systems or live production camera that is positioned between the HDC-4300 at the top and the HDC-3500 below.

What a difference a year makes… at the BSC Expo in 2018 Sony were despondent as ARRI launched their 4K Alexa LF camera to counter the Sony VENICE. Along with 16 large-format Arri Signature Prime lenses it appeared to be the camera the industry was waiting for…or was it?