With a focal length of 20mm and F1.4 aperture, this lens delivers outstanding large-aperture brightness and "bokeh", delivering unprecedented visual experiences.
Earlier this morning, Canon announced the successor to the legendary EF 35mm f/1.4L USM, - the new 35mm f/1.4L II - the lens is the world’s first to feature Canon’s newly developed Blue Spectrum Refractive optics (BR optics) ensuring sensational image quality across a diverse range of scenes from news and sports scenes to weddings.
Using his considerable knowledge and experience of using the FS7 on recent productions, Alister reveals which accessories make a real difference in the field and which are more style over substance. From lenses and adaptors to viewfinders and rigs, he covers it all in this interactive webinar.
In this webinar you will learn:
Advice on which lenses and accessories will help you get the best from the PXW-FS7
Recommendations as to which accessories and lenses are best for different applications
Addresses specific issues on accessories or the camera
This webinar is a must watch for anyone interested in discovering which lenses and accessories are best for Sony's PXW-FS7 camera. It is particularly relevant to people who have purchased or are specifying a run & gun style camera for high end video production. Independent filmmakers, DoP's, Camera operators, Freelancers, Producers, and Directors.
With 4K cameras becoming more and more popular, the lenses you put in front of the sensor become even more important as to render sharp and life-like images. Canon has some amazing 4K technology already like the Canon EOS C500 and the newer XC10 4K hybrid camera, and with the upcoming Canon C300 Mark II it's a good idea to look at some facts about 4K optics.