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Designed to camera systems up to 30 kg (66 lbs) the Artemis Maxima offers the pinnacle of camera stabilisation. The unique custom tailored Artemis camera stabilizer system, represents the quintessence of a decade of high level functionality, modularity, German engineering and future proof design making it the future of camera stabilization.
At IBC 2015, Anton Bauer, part of the Vitec Group, will be exhibiting a new CINE battery series for digital cinema cameras. The CINE battery’s compact design complements cine-style cameras such as the ARRI ALEXA Mini and RED Weapon and functions on all existing Anton/Bauer chargers.
Of course, most of us can't afford to rent an ARRI Alexa, but on Age of Ultron, the latest instalment in the Avengers franchise, DP Ben Davis used the tiny, affordable, but yet very powerful Blackmagic Pocket cinema camera and intercut footage with the mighty ARRI Alexa.
IMAX has announced that it has entered into an agreement with ARRI to customize the ALEXA 65 system for use on IMAX productions. ARRI is taking their crown jewel the large format ALEXA 65 digital cinema camera to the next level by entering into a collaborative venture with leading cinema experience IMAX, the recognized world leader in large format imaging technologies.
It has been a very busy week and a busy month for ARRI. A month ago at BVE 2015 we had the chance to see their “miniaturized” ALEXA Mini (very appropriately named) and just after announcing a new ALEXA SXT camera line-up earlier last week, ARRI have come around and announced a new lens flare sets for their Master Anamorphic series of lenses. Hollywood titans JJ Abrams and Paul Thomas Anderson, a proven anamorphic aficionados, will be particularly excited to hear about these new lens flare sets from ARRI.