AU-V35C1G (Used)
Machine Hours - 533H
Also includes:
Recording Module - AU-VREC1G
Electronic HD Colour View Finder - AU-VCVF1G
Shoulder Mount Module - AU-VSHL2G
Hawkwoods V-Lok - 11-17V
The ViriCam 35 delivers unprecedented flexibility, incorporating a next-generation modular two-piece design (AU-V35C1) 4K camera module and (AU-VREC1) recording module. Its solid metal construction comprises stainless steel and heat-resistant Sensor Housing, equipping this advanced piece of kit with the necessary features to withstand all the rigours associated with field work. The camera module has the option of being separated from the recording module and can extend up to 30 feet via a cable connection.
Panasonic have produced a quality 4K camera of the highest order. Offering a new vision and revolution in filmmaking, its modern design enables an easy and efficient transition for professionals between the worlds of cinema, sports, documentaries, and any other creative format.
Natural colour rendition and superior levels of lifelike detail are achieved with 4K Raw recording capabilities up to 60fps and an industry-leading 14+ stops of latitude. Functioning with a duel system, the ViriCam 35 records simultaneous 4K/2K/Proxy, or UHD/HD/Proxy and Raw out to a Codex Recorder. It also has XLR inputs to record 4 channels of 24-bit, 48KHz audio. Panasonic have also equipped this stunning camera with a Super 35mm 4096x2160 Advanced MOS Imager (17:9).
This already impressive camera can be upgraded with a Canon CN7x17 KAS S/P1 17-120mm T2.95 Cine-Servo Zoom Lens, a highly versatile 4K lens offering 7x magnification. With data demands increasing all the time, the AU-XP0256AG Express P2 Card is a perfect addition for cinematographers. The card has 256GB of storage and is designed to accommodate high frame rate recording and 4K capture. The head of the VariCam 35 is also perfect for the AU-VREC1G Recording Module, which offers a modular design with a range of flexible options and advantages for shooting varied content.
Highlights
Variable 4K frame rates from 1 to 120 fps Built in Apple ProRes 4:4:4:4 and Pro Res HQ AVC-Intra Codecs - Class 100 / Class 200 / Class 4:4:4 2-piece Modular Design (docks to AU-VREC1G recording module) V-Log cine gamma 3G-HD-SDI (4x) for Quad 4K Raw output In-camera LUT support Dual Recording System – Main and Sub Main recording onto expressP2 cards x 2 bays for 4K/UHD or P2 cards for 2K/1080p recording Sub recording onto microP2 cards x 2 bays for HD/Proxy recording Deta
Machine Hours - 533H
Also includes:
Recording Module - AU-VREC1G
Electronic HD Colour View Finder - AU-VCVF1G
Shoulder Mount Module - AU-VSHL2G
Hawkwoods V-Lok - 11-17V
The following applies to a new product and may differ to the used item you are viewing, especially regarding included accessories (see above for used details which may differ). Please contact us at customerservice@visuals.co.uk for more information.
Introducing Panasonic’s flagship ViriCam 35 4K Digital Camera. This new model stays true to the VariCam® legacy, delivering breathtaking image rendition and versatile off-speed effects. Incorporating next generation technology, this is a top-of-the-range professional 4K camera capable of 4096x2160 DCI 4K internal AVC-ULTRA recording as well as UHD (3840x2160p) broadcast 4K, 2K, and HD recording. It’s also capable of Proxy recording for efficient turnaround times.The ViriCam 35 delivers unprecedented flexibility, incorporating a next-generation modular two-piece design (AU-V35C1) 4K camera module and (AU-VREC1) recording module. Its solid metal construction comprises stainless steel and heat-resistant Sensor Housing, equipping this advanced piece of kit with the necessary features to withstand all the rigours associated with field work. The camera module has the option of being separated from the recording module and can extend up to 30 feet via a cable connection.
Panasonic have produced a quality 4K camera of the highest order. Offering a new vision and revolution in filmmaking, its modern design enables an easy and efficient transition for professionals between the worlds of cinema, sports, documentaries, and any other creative format.
Natural colour rendition and superior levels of lifelike detail are achieved with 4K Raw recording capabilities up to 60fps and an industry-leading 14+ stops of latitude. Functioning with a duel system, the ViriCam 35 records simultaneous 4K/2K/Proxy, or UHD/HD/Proxy and Raw out to a Codex Recorder. It also has XLR inputs to record 4 channels of 24-bit, 48KHz audio. Panasonic have also equipped this stunning camera with a Super 35mm 4096x2160 Advanced MOS Imager (17:9).
This already impressive camera can be upgraded with a Canon CN7x17 KAS S/P1 17-120mm T2.95 Cine-Servo Zoom Lens, a highly versatile 4K lens offering 7x magnification. With data demands increasing all the time, the AU-XP0256AG Express P2 Card is a perfect addition for cinematographers. The card has 256GB of storage and is designed to accommodate high frame rate recording and 4K capture. The head of the VariCam 35 is also perfect for the AU-VREC1G Recording Module, which offers a modular design with a range of flexible options and advantages for shooting varied content.
Highlights
The following applies to a new product and may differ to the used item you are viewing, especially regarding included accessories (see the details tab for used details which may differ). Please contact us at customerservice@visuals.co.uk for more information.
Colours of Melbourne shot on the Pansonic 4K Varicam S35 from Noel Evans on Vimeo.
The following applies to a new product and may differ to the used item you are viewing, especially regarding included accessories (see the details tab for used details which may differ). Please contact us at customerservice@visuals.co.uk for more information.
Camera Module (AU-V35C1G) | |
Pickup Device | super35 mm MOS 8.9 million pixels |
Picture Elements | Total picture elements : Approx.10.3 million pixels Effective picture elements: Approx. 8.9 million pixels |
Lens Mount | 35 mm PL mount |
Optical Filter | ND filter: 1: CLEAR, 2: 0.6 ND 3: 1.2 ND, 4: 1.8 ND |
Gain Settings | [ISO] mode: ISO 800 to 12800 [dB] mode: 0 to 24 dB (3 dB step) |
Shutter speed | [deg] mode: 1.0 to 358 deg (0.5 deg step) [sec] mode: 1/24 to 1/250 (When 24p mode) |
Combination of AU-V35C1G and AU-VREC1G | |
Power | DC 12 V (11.0 V – 17.0 V) |
Power Consumption | 69 W (Body only) 99 W (With all optional accessories connected and maximum power supplied from each output terminal) |
Operating Temperature | 0°C to 40°C |
Operating Humidity | 10% to 85% (Relative humidity) |
Storage Temperature | Storage Temperature |
Weight | Approx. 5.0 kg (Body only) |
Dimensions (W x H x D) | 179 mm × 230.5 mm × 347 mm (7-1/16 inches x 9-1/16 inches x 13 -21/32 inches) (Body only, excluding protrusion) |
Recording Module (AU-VREC1G) When used with AU-V35C1G | |
Recording Media | expressP2 card, P2 card, microP2 card |
Recording Resolution | 4096 x 2160, 3840 x 2160, 1920 x 1080 |
Recording Framerate | Maximum 4K 50p/60p, HD 50p/60p |
System Frequency | 59.94p, 50p, 29.97p, 25p, 24p, 23.98p |
Recording Format | Main Recorder: AVC-Intra4K 4:2:2, AVC-Intra100 Sub Recorder: AVC-Intra100, AVC-LongG50, AVC-LongG25 |
Recording Video Signal | 4096 x 2160/59.94p, 50p, 29.97p, 25p, 24p, 23.98p 3840 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p |
Recording/Playback time (Main Codec) | (When expressP2 card 256 GB is used)*2 Approx. 90 min. (AVC-Intra4K 4:2:2, VFR OFF, 24p) Approx. 36 min. (AVC-Intra4K 4:2:2, VFR ON, 50p/59.94p) Approx. 128 min. (AVC-Intra 100, VFR ON, 50fps/60fps) |
Recording/Playback time (Sub Codec) | (When microP2 card 64GB is used)*2 Approx. 64 min. (AVC-Intra100, 25p/29.97p) Approx. 128 min. (AVC-LongG50, 25p/29.97p) Approx. 256 min. (AVC-LongG25, 25p/29.97p |
Digital Video | |
Quantizing | 10 bit |
Video Compression Format | AVC-Intra4K 4:2:2/AVC-Intra100: MPEG-4 AVC/H.264 Intra Profile AVC-LongG50/AVC-LongG25: MPEG-4 AVC/H.264 |
Digital Audio | |
Recording Audio Signal | 48 kHz/24 bit, 4 ch Head room 18 dB/20 dB menu switchable |
Proxy | |
File Format | MOV |
Video Compression Format | H.264/AVC High Profile |
Audio Compression Format | LPCM |
Recording Time (1GB)*2 | Approx. 25 min. |
Video Input/Output | |
SDI OUT | HD (1.5 G)/3 G SDI, 0.8 V[p-p], 75 O (1 set, 4 pieces) |
MON OUT1 | HD (1.5 G)/3 G SDI, 0.8 V[p-p], 75 O |
MON OUT2 | HD (1.5 G)/3 G SDI, 0.8 V[p-p], 75 O |
VF SDI | HD (1.5 G)/3 G SDI, 0.8 V[p-p], 75 O |
Audio Input/Output | |
AUDIO IN: (CH1/CH2 | XLR x 2, 3 pin, LINE/MIC/MIC+48V/AES switchable |
MIC IN: | XLR x 1, 5 pin |
PHONES | Stereo mini jack |
Speaker | 20 mm diameter, round x 1 |
Other Input/Output | |
GENLOCK IN | HD (1.5 G) /3 G SDI, 0.8 V[p-p], 75 O |
TC IN/OUT | BNC×1, IN/OUT switch selection IN: 0.5 V[p-p] to 8 V[p-p], 10 kO OUT: 2.0 ± 0.5 V[p-p], Low impedance |
DC IN | XLR 4 pin, DC12 V (DC 11.0 V to 17.0 V) |
DC OUT/RS | 4 pin, DC12 V (DC 11.0 V to 17.0 V), maximum output current 1.0 A |
DC OUT | 2 pin, DC12 V (DC 11.0 V to 17.0 V), maximum output current 1.0 A |
LENS | 12 pin x 1, 4 pin x 2 |
VF | 14 pin |
LAN | 100BASE-TX/10BASE-T |
USB2.0: (device) | Type B connector, 4 pin |
USB2.0: (host) | Type A connector, 4 pin *3 |
Control Panel (LCD) | 3.5-type QHD color monitor (Approx. 1.56 million dots) |