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  • CANON CONSUMER EOS C200 ATOMOS NINJA V POWER KIT EOS C200 ATOMOS NINJA V POWER KIT

EOS C200 ATOMOS NINJA V POWER KIT

Details:

  • Shoot 4K/UHD/50P internally in MP4 or Cinema RAW Light formats
  • Continuous 120fps High Frame Rate with no cropping at Full HD
  • Up to 15-stops dynamic range (Cinema RAW Light)
  • 5inch 1000nit HDR Portable HDMI Monitor/Recorder
  • Record up to 4Kp60 10-bit HDR video
  • 1TB AtomX SSDmini gives 2.5 hrs of 4K recording

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Exc VAT Price £6,805.87
Inc VAT Price £8,167.04
Cat no. CANON CONSUMER-EOS C200 ATOMOS NINJA V POWER KIT
Status

Available to order

FREE SHIPPING WITH THIS ITEM

Canon EOS C200 4K Cinema Camera and Atomos Ninja V Power Kit
This kit includes:

Canon EOS C200 4K Cinema Camera
Atomos Ninja V
Atomos Power Kit
HDMI Cable
CANON EOS C200 4K CINEMA CAMERA
Internal 4K recording with Cinema RAW Light and MP4 format

As the first Cinema EOS camera to support the new RAW recording format – Cinema RAW Light – the EOS C200 provides the same flexibility in colour grading as Cinema RAW in a smaller file size, enabling filmmakers to record internally to a CFast 2.0™ card.

Newly developed Canon Dual DIGIC DV6 processors provide the ability to record internally 4K UHD/50P MP4, 4K DCI RAW and continuous 120fps High Frame Rate (HFR) in Full HD without crop. At the same time, advances in Dual Pixel CMOS Auto Focus (AF) technology and a new touch screen LCD monitor provide smooth AF operation and effective tracking.

Capture and record with ease UHD/50P footage to internal SD cards in MP4 format and use Cinema RAW Light to film moments in stunning 4K to internal CFast 2.0™ card. Explore your creativity in Full HD with high frame rate options up to 120P.

Capability drives creativity
The EOS C200 features Canon’s 4K Super 35mm CMOS sensor with an effective pixel count of 8.85MP, along with the newly developed Dual DIGIC DV6 image processors. As a result, it can deliver Cinema RAW Light recording at 4K DCI 50P internally to a CFast 2.0™ card.

It can also deliver 4K UHD recording at 150Mbps, and 2K or Full HD at 35Mbps to SD cards in MP4 format.

Supporting up to 15-stops of dynamic range with Cinema RAW Light and up to 13-stops of dynamic range in MP4 (Canon Log / Log 3), the camera is perfect for capturing highlight and shadow details.

The EOS C200 is also capable of delivering both slow and fast motion recording at up to 120fps with no crop in Full HD/MP4, ideal for those wanting creative slow motion capture.

An ISO range of 100 to 102,400 guarantees excellent performance, even in difficult lighting conditions, such as when quickly switching between locations. The built-in optical ND filters of up to 10 stops provide further flexibility and convenience, allowing filmmakers to shoot in bright light and expand the depth of field control.

Advanced operability and ergonomic design
Built for professionals and ideal for single shooters, the EOS C200 features an advanced AF system that provides reliability and accuracy when shooting 4K, as well as a touch screen LCD panel for filmmakers to easily select their subject. For those who need to switch effortlessly between several subjects in a single shot, the Dual Pixel CMOS AF enables smooth AF operation whilst the Manual Focus Assist Function, Face Detection with Face Priority and Face-Only options provide greater creative focus control.

The EOS C200’s lightweight body of just 1.4kg is designed for comfortable hand-held shooting and will benefit those who are filming for long periods. The compact size also makes the camera suitable for mounting onto a drone or gimbal.

Built-in Wi-Fi and Ethernet connectivity allows for browser remote control and the ability to transfer files via FTP, whilst the camera’s compatibility options mean new and existing accessories can be used, including Canon’s electronic viewfinder - the EVF-V70.

Cinema RAW Light for next generation workflows
Canon has worked with several partners to ensure Cinema RAW Light is integrated with various software programs . As a result, editing and grading of the Cinema RAW Light video format will be supported in DaVinci Resolve of Blackmagic Design. Editing will be possible in Media Composer from Avid Technology, using Canon RAW Plugin for Avid Media Access . This format can also be processed using a Canon application, Cinema RAW Development.

Support for Cinema RAW Light is also scheduled for EDIUS Pro, Grass Valley’s editing software, during 2017. Additionally, a future version of Final Cut Pro X from Apple Inc. will support Canon’s Cinema RAW Light, using Canon RAW PluPlugin for Final Cut Pro X.

Future Firmware upgrade
Canon’s XF-AVC video format will be available with a future firmware upgrade. This upgrade is free of charge and is planned to be available from 1H 2018.

Professional UHD/50P camera with internal SD card recording and High Frame Rate option
Enter the world of professional 4K filmmaking with a camera boasting a Super 35mm CMOS sensor capable of recording high-definition UHD/50P MP4 footage internally to dual SD card and Full HD up to 120P with flexibility and ease.

Internal RAW recording to CFast 2.0™ card
Record 4K Cinema RAW Light footage in 10-bit/50P or 12-bit 24P/25P internally to CFast 2.0™ card with simultaneous MP4 proxy.

Professional High Quality image and audio
Up to 13-stops dynamic range with Canon Log 3 plus Wide DR for ease of use and high sensitivity ISO 100-102,400.

Dual Pixel CMOS AF and extensive shooting functions
Advanced autofocus options with touchscreen control plus HDR monitoring and 10-stop electronically controlled optical ND filters.

Easy operation and flexible configuration
Robust, compact body featuring an EF mount supporting a huge range of EF and Cinema lenses. Built-in Wi-Fi, Ethernet, SDI and XLR terminals for professional use.

Key Features:

Continuous 120fps (maximum) High Frame Rate with no cropping at Full HD
Up to 15-stops dynamic range (Cinema RAW Light)
Professional High Quality image and audio
Dual Pixel CMOS AF with touch control and extensive shooting functions
Easy operation and flexible configuration
Shoot 4K/UHD/50P internally in MP4 or Cinema RAW Light formats
Capture and record with ease UHD/50P footage to internal SD cards
ATOMOS NINJA V
Ninja V brings all the award-winning features Atomos are renowned for in their 7" Flame and Inferno series monitor-recorders to an all-new compact and lightweight 5" form factor. Perfect for DSLR's, Mirrorless Camera and HDMI Camcorders and equipped with a high-bright 1000NIT Full-HD resolution display, Ninja V offers outstanding visibility in high-ambient light environments and also enables stunning HDR monitoring through the AtomHDR processing engine.

Featuring HDMI 2.0 and support for up to 4K 60p ProRes and DNx recording to Master Caddy II SSD media, Ninja V provides everything filmmakers and game developers expect from an Atomos device.

Record like a Ninja:
Record up to 4Kp60 10-bit HDR video direct from your camera's sensor, over HDMI 2.0. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. A tiny 1TB AtomX SSDmini will give you 2.5 hrs of 4K recording.

The SSD made Mini:
The new AtomX SSDmini is a little over 1/4 inch tall and 3" long. It is also 20% shorter than traditional SSDs, yet keeps the standard SATA III connector. It is backward compatible with previous Atomos drives by adding a clever extension handle. These tiny, slimline SSDs are a true innovation and our close drive partners Angelbird, G-technology and Sony are all making custom versions for your Ninja!

Small Monitor made perfect:
The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. It’s a sleek 1” (2.5cm) aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily.

HDR/SDR perfection every time:
The Ninja screen displays a stunning 10+ stops of dynamic range in real-time from Log/ PQ/HLG signals. Clearly see your images in daylight on the near edge-to-edge anti-reflection screen.
The display can be calibrated for perfect colour accuracy every time, with playout to HDR or SDR TV sets.

Record HDR Games:
4kp60 or HDp240 Game Recording just became fun and simple from any HDMI gaming unit. Place the Ninja V in-between your unit and the TV, and record for hours to off-the-shelf SSD drives. Auto HDR flags mean perfect TV set up every time! Show off your skills or check your game development on the most stunning video recorder ever built!

AtomOS Tools and Pocket Size Playback:
AtomOS gives simple tools for accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't 100% complete until checked; AtomOS gives speedy playback, slow motion and frame-by-frame analysis for instant review.

Ultimate Pro-Video & Broadcast Monitor:
Any production large or small needs high quality viewing. Even if you aren’t recording, the Ninja V is the best monitor available today. Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.

Edit, finish & upload on Mac & PC:
The recorded Ninja files are available immediately on your Mac or PC for editing. Tag while recording on the fly for direct-to-edit look-up with up to six streams, edited directly from the SSD in Final Cut Pro X, Adobe Premiere or Avid Media Composer. Video and gaming workflows are supported for the fastest path to your audience.

Endless Open Expansion:
Enhance the Ninja V through the in-built modular expansion slot. Bi-directional high speed video, audio and power are available. Expansion modules will dock onto the battery slot of the unit and offer advanced features.

Looks Good, Sounds Great:
Like all Atomos Monitor/Recorders, Ninja V enables audio input directly from your camera. Choose from digital source via HDMI, or analogue input via the stereo 3.5mm line/mic socket, depending on your rig.

Image Sensor
SensorSuper 35mm type CMOS
SystemRGB primary colour filter (Beyer array)
Total pixels per sensorApprox. 9.84 megapixels (4206 x 2340)
Effective pixels per sensorApprox. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution
Signal-to Noise ration50.00 Hz mode: 53 dB (Typical)
[3840x2160/25.00P, Canon Log 3 Base sensitivity ISO800 (Dynamic range 1600%),HDMI OUT]
Dynamic Range13 Stops (Canon Log3)

Image Processor
TypeDual DIGIC DV6

Lens
Lens MountCanon EF Mount
Lens Magnification Factor (for EF Mount lenses, including Cinema Primes)"At 4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.460
At 3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.534 "
Changeable Lens MountYes, mount change to PL mount possible via Canon Service centre (Paid for service)
Peripheral illumination correctionYes with compatible lenses
ND filterClear,2,4,6,8,10-stop
Focus controlManual via lens, manual via RC-V100 Auto Focus (Dual Pixel AF Approximately 80%(vert.),80%(horiz.))
Iris controlManual Via camera body or RC-V100, fine, 1/2 or 1/3 step increments, Auto (with compatible lenses), Push Auto Iris
Image stabilization systemDepends on lens used

Recording
RAW Recording options RAW (Cinema RAW Light)
Internal RecordingCinema RAW Light, MP4
Recording time (CFast 2.0™card)128GB card 15 Mins (4K Cinema RAW Light 1Gbps VBR)
Recording time (SD Card)128GB card 110 mins (MP4, 150Mbps) 485Mins (MP4, 35Mbps)
Recording FormatsCinema RAW Light, (CFast 2.0™) MP4 XF-AVC (SD card. XF-AVC)*
Recording Frame Rate(1) 59.94 Hz mode (59.94P/29.97P/23.98P)
(2) 50.00 Hz mode (50.00P/25.00P)
(3) 24.00 Hz mode (24.00P)
Slow/Fast motionYes
Interval RecordYes
Frame RecordYes
Pre Record (cache record)Yes, 3 seconds
Relay RecordingYES, SD Card recording only
Double Slot (simultaneous) RecordingYES, SD Card recording only
Scan ReverseNo
HD->SD conversionNo
Photo storage mediaSD Card
Photo Recording Size2048x1080 (when video image resolution is 4096x2160/2048x1080)
3840x2160 (when video image resolution is 3840x2160)
1920x1080 (when video image resolution is 1920x1080)

System
Wave Form MonitorYes
Colour BarsYES, SMPTE / EBU / ARIB
PeakingYes
ZebraYES. Zebra 1 Level 5 ±5% to 95 ±5% in 5 percentage point intervals (70 ±5%)
Zebra 2 Level: 0% to 100% in 5 percentage point intervals (100%)
MarkersYES, Centre, Horizontal, Grid Aspect Ratio(4:3 / 13:9 / 14:9 / 16:9 / 1.375:1 / 1.66:1 / 1.75:1/1.85:1 / 1.90:1 / 2.35:1 / 2.39:1 / Custom), Safe Area (80% / 90% / 92.5% / 95%)

EVF
Built- In EVFYES. 1.77M dots
Optional EVF AccessoryCanon EVF-V70 (Also requires CL-V2 bracket)

Display Panel
Display Panel4 inch/10.1cm diagonal LCD Monitor. Touch panel. Approx., 1.23M dots

Inputs/Outputs
Audio inXLR x2, 3.5mm Audio, AES/EBU digital or Analog Audio input, Line, Mic, +48V Phantom Power supported
Headphone outputYes
HDMIYES, HDMI 2.0, output only. Max. output resolution 3840 x 2160.Timecode out compatible
USBYES. Mini-B Hi-Speed USB
3G/HD-SDI outputYES x 1.BNC jack
Video [HD]:SMPTE 292. [3G]:SMPTE 424, SMPTE 425
Audio [HD]:SMPTE ST 299-1. [3G]:SMPTE ST 299-2, Output impedance 75 O, Output signal level 0.8 Vp-p
Time codeNo
GenlockNo
SynchNo
Component OutNo
AV TerminalNo
DC OutputNo
DC InputYES, 14.4V DC (Battery), 16.7V DC (DC-In)
Power Consumption50.00P: Cinema RAW Light/MP4; 18.5W (Approx.)
Continuous Recording Time (battery)BP-A30 (3100mAh) 130 Min (Approx.) BP-A60 (6200mAh) 280 Mins (Approx.)
Cinema Raw Light/4096 x 2160 or MP4/3840 x 2160 recording
Remote Control TerminalYES, 2.5mm proprietary connector
Wireless Control TerminalBuilt-in Wi-Fi. FTP and Browser Remote/Preview
Lens terminalNo
Ethernet terminalYES. FTP CAPABLE, MP4 files only
Video connector (For Monitor or EVF)YES, Canon proprietary connection

Misc.
Tally lampYes
Custom DialYes

Shooting Functions
Exposure
Exposure metering(a) Standard (centre-weighted metering)
(b) Spotlight
(c) Backlight (compensation)
Exposure compensationAE shift function . The target value (±8 steps from centre) for the brightness can be set. Indicated as exposure values (EV). (±2.0, ±1.75,
±1.5, ±1.25, ±1.0, ±0.75, ±0.5, ±0.25, and ±0) are displayed on the screen as AE [numerical values]
Push Auto IrisYes
Exposure LockNo
Auto Gain Control settingNo
ISO Sensitivity1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200,102400]
[---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000, 40000, 51200, 64000, 80000, 102400] [---] When ISO speed expansion is ON.
Gain setting[-6dB,-3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB, 54dB]
[---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
When ISO speed expansion is ON: between -2 dB and 54 dB
When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set.
Auto Focus SystemDual Pixel CMOS AF supported
Manual focus, one-shot AF, continuous AF, AF-Boosted MF,face detection AF (only lenses that support AF functions can be used in any of these modes), focus guide
AF Frame SizesLarge; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range; Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range
Auto Focus ModesOne-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting.

One-Shot AF: AF is performed only while the one-shot button to which it has been assigned is held down. No further lens movement is permitted after focusing.

Continuous AF: AF control is performed at all times.

AF-Boosted MF
Face Detection AFAvailable; face Priority or Face Only.
Face Priority: AF is set to face frame when a face is detected, to tracking frame when tracking, and AF frame when there is no face or tracking.
Face Only: Switches to face frame when a face is detected, to tracking frame when tracking, and MF when there is no face or tracking.
In both Face Priority and Face Only, the face to detect can be selected with the joystick.
Focus GuideAvailable; displays focus status or unfocused status using the AF signal

Shuter Speed
Control ModesManual only
Shutter speed1/3 stop display: 1/1, 1/1.26, 1/1.59, ---, 1/1600, 1/2000 (total of 34 settings)
1/4 stop display: 1/1, 1/1.19, 1/1.41, 1.68 ---, 1/1700, 1/2000 (total of 45 settings).
The slowest speed will differ depending on the frame rate setting.
Shutter Angle360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25
Also, angle values equivalent to 1/120, 1/60, 1/40, 1/30, 1/100, 1/50, 3/100, and 1/25
are selectable within the minimum angle range from 360°.
Slow Shutter (SLS)59.94(i/P) : 1/4, 1/8, 1/15, 1/30
29.97P frame rate has been set: 1/4, 1/8, 1/15
24.00P or 23.98P: 1/3, 1/6, 1/12

Custom Picture
Stored ConfigurationsPRESET: Canon Log 3/Canon Log /BT.709/Off
GAMMA: Canon Log 3/Canon Log/Wide DR/Normal 1 (Standard)/Normal 2 (x4.0)/Normal 3 (BT.709)/Normal 4 (x5.0)
COLOUR MATRIX: Neutral/Production Camera/Cinema EOS/Original /Video/ Off
Storage MediumInternal, SD Card
Master Pedestal0 ± 50
Master Black Red0 ± 50
Master Black Green0 ± 50
Master Black Blue0 ± 50
Black Gamma0 ± 50
Low Key Saturation0 ± 50
Knee Point+ 50 - 95 - +109
Knee Slope-35 - 0 - +50
Knee Saturation0 - ±10
Sharpness Level-10 - 0 - +50
Noise ReductionsOff / 1 - 12
White Balance Red/Blue Gain0 - +50
Setup Level(0 - ±50)

Wi-Fi & GPS
GPS Information (Optional Accessory)Location (latitude, longitude and altitude) and GPS information using Coordinated Universal Time (UTC) can be added to RAW movies, MP4 movies and photos. Satellite data acquisition status can be checked in camera mode.
W-Fi SpecificationStandard: IEEE 802.11b/g/n (2.4 GHz band), IEEE 802.11a/n (5 GHz band) (not supported in Qatar, Indonesia or Iraq) IEEE 802.11b/g/n (2.4 GHz band) IEEE 802.11n/11a (5 GHz band): Differs depending on the model’s destination. Authentication: Open system, WPA-PSK, WPA2-PSK Encryption systems: WEP-64, WEP-128, TKIP, AES

White Balance
AutoYES. Shockless WB available
Presetv
Manual SettingPreset A/B, Colour Temperature Setting: 2000K - 15000K

Black Balance
Black balance adjustmentAuto Black Balance Adjustment

Time Code
Countup systemRegen, RecRun, FreeRun, TC Hold. Drop Frame /NonDrop Frame ( DF/NDF) in 59.94P/29.97P mode only

Audio
RecordingCinema RAW Recording: Linear PCM: 16-bit / 48 kHz / 4 channels
MP4: MPEG-4 AAC-LC (16-bit / 48 kHz / 2 channels), Linear PCM (16-bit / 48 kHz / 4 channels)

Miscellaneous
Dimensions (Main Body Only)Approx. 144 x 153 x 179 mm (5.7 x 6.0 x 7.0 in)
Approx. 178 x 153 x 204 mm (7.0 x 6.0 x 8.0 in) [With camera grip attached]
Weight (Body Only)Approx. 1430g (3.2lb)
Weight ( Supplied Accessories)Camera Grip GR-V1: Approx.260 g (9.2 oz.)
LCD Monitor LM-V1: Approx. 185 g (6.5 oz.)
LCD Attachment Unit LA-V1: Approx. 255 g (9.0 oz.) Mic holder unit: Approx. 50 g (1.8 oz.)
Handle Unit HDU-2: Approx. 220 g (7.8 oz.)
Hex Socket Head Bolt:Approx. 5 g (0.18oz.)
BP-A30: Approx. 225 g (7.9 oz.)Unit Cable
UN-5: Approx. 80 g (2.8 oz.)
Thumb rest: Approx. 10 g (0.35 oz.)
Eyecup: Approx. 25 g (0.88 oz.)
Operating Temperature rangeApprox. 0 to 40°C, 85% (relative humidity)
Approx. -5 to 45°C, 60% (relative humidity)


Weight
Without batteries & media320g / 11.28oz
With batteries & media-
With stand6.0kg / 13.2lb
Dimensions (W x H x D mm)151 x 91.5 x 31mm
ConstructionAluminium alloy chassis with ABS polycarbonate back plate
Mounting points1/4-20 UNCscrew mount; 1x top, 1x bottom


Power
Operating power10 - 19W
Compatible batteriesNP-F series and supporting accessories
Input voltage (battery)6.2V to 16.8V
Battery time (based on 2 x 7.4V)5200mAh - up to 2hrs (monitor & record 4K +60p)
7800mAh - up to 3hrs (monitor & record 4K 60p)
DC In
Continuous power
* Patent pending
Continuous power with external adaptor*


Touchscreen
Size5”
Resolution1920 x 1200
PPI427
Aspect ratio16:9 native
Color GamutREC709 HDTV
Look up table (LUT) support3D LUT (.cube format)
Anamorphic de-squeeze2x, 1.5x, 1.33x, Panasonic 8:3
TechnologySuperAtom IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit


HDR
AtomHDRYes
Supported Log formatsSony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog
HDR Recording (Gamut)Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,
Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320
/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm
Flog, PQ10k, HLG
HDR Monitoring (Gamma)Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709
JVC LS300
Red DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut
HDR Monitoring (Gamut)Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out
Bit depth10-bit (8+2 FRC)
Brightness1000nit (+/- 10% @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes


Video input/loop out
HDMI1 x HDMI (2.0)
SDI-
SignalUncompressed true 10-bit or 8-bit 422
(camera dependent)


Video output (play out)
HDMI1 x HDMI (2.0)
SDI-
SignalUncompressed true 10-bit or 8-bit 422
(playback file dependent)


Supported loop out formats
HDMI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60
SDI to SDI-


Video signal conversion
HDMI to SDI-
SDI to HDMI-


AtomXpansion Video Audio Power extender In/Out
VideoUp to 4Kp60
Audio12 channels digital 24-bit 96KHz
Power5V-16.6V


Supported Codecs & frame rates (record & playback)
Video to
ProRes / DNxHR


(DNx utilizes a .MOV wrapper)

Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K
1080p; 24/25/30/50/60/100^/120^
1080i; 50/60i, 720p; 50/60p


Onboard processing
Pulldown removal24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoringYes - Loop-out and playback


Audio in/out (48kHz PCM audio)
HDMI2 or 8ch 24-bit, camera dependent
SDI-
AudioLine in / Mic in / Headphone out 2ch 48kHz 24-bit
Headphone out3.5mm
Built-in speakersYes


Remote start/stop
HDMIAuto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI-
OtherLANC control - Slave


Playback
Playlist / Genlock / LTCYes / - / -
CDNG (Recorded content)N/A
ProRes (Recorded content)All recorded files can playback. Playback in slow motion.
DNxHR / DNxHD (recorded content)All recorded files can playback. Playback in slow motion.


Recording
Pre-roll recordYes (HD 8s, 4K 2s)
Custom timelapseYes
Meta data taggingYes (10 tags available)
Supported media2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy caseMaster Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock2.5” SATA to USB 2.0/3.0
Supported applicationsSupported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML supportFCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools

Contains C 200, Atomos Ninja, Power Kit (Additional Battery)

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