This kit includes:
Canon EOS C200 4K Cinema Camera
Atomos Ninja V
Atomos Power Kit
CANON EOS C200 4K CINEMA CAMERA
Internal 4K recording with Cinema RAW Light and MP4 format
As the first Cinema EOS camera to support the new RAW recording format – Cinema RAW Light – the EOS C200 provides the same flexibility in colour grading as Cinema RAW in a smaller file size, enabling filmmakers to record internally to a CFast 2.0™ card.
Newly developed Canon Dual DIGIC DV6 processors provide the ability to record internally 4K UHD/50P MP4, 4K DCI RAW and continuous 120fps High Frame Rate (HFR) in Full HD without crop. At the same time, advances in Dual Pixel CMOS Auto Focus (AF) technology and a new touch screen LCD monitor provide smooth AF operation and effective tracking.
Capture and record with ease UHD/50P footage to internal SD cards in MP4 format and use Cinema RAW Light to film moments in stunning 4K to internal CFast 2.0™ card. Explore your creativity in Full HD with high frame rate options up to 120P.
Capability drives creativity
The EOS C200 features Canon’s 4K Super 35mm CMOS sensor with an effective pixel count of 8.85MP, along with the newly developed Dual DIGIC DV6 image processors. As a result, it can deliver Cinema RAW Light recording at 4K DCI 50P internally to a CFast 2.0™ card.
It can also deliver 4K UHD recording at 150Mbps, and 2K or Full HD at 35Mbps to SD cards in MP4 format.
Supporting up to 15-stops of dynamic range with Cinema RAW Light and up to 13-stops of dynamic range in MP4 (Canon Log / Log 3), the camera is perfect for capturing highlight and shadow details.
The EOS C200 is also capable of delivering both slow and fast motion recording at up to 120fps with no crop in Full HD/MP4, ideal for those wanting creative slow motion capture.
An ISO range of 100 to 102,400 guarantees excellent performance, even in difficult lighting conditions, such as when quickly switching between locations. The built-in optical ND filters of up to 10 stops provide further flexibility and convenience, allowing filmmakers to shoot in bright light and expand the depth of field control.
Advanced operability and ergonomic design
Built for professionals and ideal for single shooters, the EOS C200 features an advanced AF system that provides reliability and accuracy when shooting 4K, as well as a touch screen LCD panel for filmmakers to easily select their subject. For those who need to switch effortlessly between several subjects in a single shot, the Dual Pixel CMOS AF enables smooth AF operation whilst the Manual Focus Assist Function, Face Detection with Face Priority and Face-Only options provide greater creative focus control.
The EOS C200’s lightweight body of just 1.4kg is designed for comfortable hand-held shooting and will benefit those who are filming for long periods. The compact size also makes the camera suitable for mounting onto a drone or gimbal.
Built-in Wi-Fi and Ethernet connectivity allows for browser remote control and the ability to transfer files via FTP, whilst the camera’s compatibility options mean new and existing accessories can be used, including Canon’s electronic viewfinder - the EVF-V70.
Cinema RAW Light for next generation workflows
Canon has worked with several partners to ensure Cinema RAW Light is integrated with various software programs . As a result, editing and grading of the Cinema RAW Light video format will be supported in DaVinci Resolve of Blackmagic Design. Editing will be possible in Media Composer from Avid Technology, using Canon RAW Plugin for Avid Media Access . This format can also be processed using a Canon application, Cinema RAW Development.
Support for Cinema RAW Light is also scheduled for EDIUS Pro, Grass Valley’s editing software, during 2017. Additionally, a future version of Final Cut Pro X from Apple Inc. will support Canon’s Cinema RAW Light, using Canon RAW PluPlugin for Final Cut Pro X.
Future Firmware upgrade
Canon’s XF-AVC video format will be available with a future firmware upgrade. This upgrade is free of charge and is planned to be available from 1H 2018.
Professional UHD/50P camera with internal SD card recording and High Frame Rate option
Enter the world of professional 4K filmmaking with a camera boasting a Super 35mm CMOS sensor capable of recording high-definition UHD/50P MP4 footage internally to dual SD card and Full HD up to 120P with flexibility and ease.
Internal RAW recording to CFast 2.0™ card
Record 4K Cinema RAW Light footage in 10-bit/50P or 12-bit 24P/25P internally to CFast 2.0™ card with simultaneous MP4 proxy.
Professional High Quality image and audio
Up to 13-stops dynamic range with Canon Log 3 plus Wide DR for ease of use and high sensitivity ISO 100-102,400.
Dual Pixel CMOS AF and extensive shooting functions
Advanced autofocus options with touchscreen control plus HDR monitoring and 10-stop electronically controlled optical ND filters.
Easy operation and flexible configuration
Robust, compact body featuring an EF mount supporting a huge range of EF and Cinema lenses. Built-in Wi-Fi, Ethernet, SDI and XLR terminals for professional use.
Continuous 120fps (maximum) High Frame Rate with no cropping at Full HD
Up to 15-stops dynamic range (Cinema RAW Light)
Professional High Quality image and audio
Dual Pixel CMOS AF with touch control and extensive shooting functions
Easy operation and flexible configuration
Shoot 4K/UHD/50P internally in MP4 or Cinema RAW Light formats
Capture and record with ease UHD/50P footage to internal SD cards
ATOMOS NINJA V
Ninja V brings all the award-winning features Atomos are renowned for in their 7" Flame and Inferno series monitor-recorders to an all-new compact and lightweight 5" form factor. Perfect for DSLR's, Mirrorless Camera and HDMI Camcorders and equipped with a high-bright 1000NIT Full-HD resolution display, Ninja V offers outstanding visibility in high-ambient light environments and also enables stunning HDR monitoring through the AtomHDR processing engine.
Featuring HDMI 2.0 and support for up to 4K 60p ProRes and DNx recording to Master Caddy II SSD media, Ninja V provides everything filmmakers and game developers expect from an Atomos device.
Record like a Ninja:
Record up to 4Kp60 10-bit HDR video direct from your camera's sensor, over HDMI 2.0. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. A tiny 1TB AtomX SSDmini will give you 2.5 hrs of 4K recording.
The SSD made Mini:
The new AtomX SSDmini is a little over 1/4 inch tall and 3" long. It is also 20% shorter than traditional SSDs, yet keeps the standard SATA III connector. It is backward compatible with previous Atomos drives by adding a clever extension handle. These tiny, slimline SSDs are a true innovation and our close drive partners Angelbird, G-technology and Sony are all making custom versions for your Ninja!
Small Monitor made perfect:
The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. It’s a sleek 1” (2.5cm) aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily.
HDR/SDR perfection every time:
The Ninja screen displays a stunning 10+ stops of dynamic range in real-time from Log/ PQ/HLG signals. Clearly see your images in daylight on the near edge-to-edge anti-reflection screen.
The display can be calibrated for perfect colour accuracy every time, with playout to HDR or SDR TV sets.
Record HDR Games:
4kp60 or HDp240 Game Recording just became fun and simple from any HDMI gaming unit. Place the Ninja V in-between your unit and the TV, and record for hours to off-the-shelf SSD drives. Auto HDR flags mean perfect TV set up every time! Show off your skills or check your game development on the most stunning video recorder ever built!
AtomOS Tools and Pocket Size Playback:
AtomOS gives simple tools for accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't 100% complete until checked; AtomOS gives speedy playback, slow motion and frame-by-frame analysis for instant review.
Ultimate Pro-Video & Broadcast Monitor:
Any production large or small needs high quality viewing. Even if you aren’t recording, the Ninja V is the best monitor available today. Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.
Edit, finish & upload on Mac & PC:
The recorded Ninja files are available immediately on your Mac or PC for editing. Tag while recording on the fly for direct-to-edit look-up with up to six streams, edited directly from the SSD in Final Cut Pro X, Adobe Premiere or Avid Media Composer. Video and gaming workflows are supported for the fastest path to your audience.
Endless Open Expansion:
Enhance the Ninja V through the in-built modular expansion slot. Bi-directional high speed video, audio and power are available. Expansion modules will dock onto the battery slot of the unit and offer advanced features.
Looks Good, Sounds Great:
Like all Atomos Monitor/Recorders, Ninja V enables audio input directly from your camera. Choose from digital source via HDMI, or analogue input via the stereo 3.5mm line/mic socket, depending on your rig.
|Sensor||Super 35mm type CMOS|
|System||RGB primary colour filter (Beyer array)|
|Total pixels per sensor||Approx. 9.84 megapixels (4206 x 2340)|
|Effective pixels per sensor||Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution|
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution
|Signal-to Noise ration||50.00 Hz mode: 53 dB (Typical)
[3840x2160/25.00P, Canon Log 3 Base sensitivity ISO800 (Dynamic range 1600%),HDMI OUT]
|Dynamic Range||13 Stops (Canon Log3)|
|Type||Dual DIGIC DV6|
|Lens Mount||Canon EF Mount|
|Lens Magnification Factor (for EF Mount lenses, including Cinema Primes)||"At 4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.460|
At 3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.534 "
|Changeable Lens Mount||Yes, mount change to PL mount possible via Canon Service centre (Paid for service)|
|Peripheral illumination correction||Yes with compatible lenses|
|Focus control||Manual via lens, manual via RC-V100 Auto Focus (Dual Pixel AF Approximately 80%(vert.),80%(horiz.))|
|Iris control||Manual Via camera body or RC-V100, fine, 1/2 or 1/3 step increments, Auto (with compatible lenses), Push Auto Iris|
|Image stabilization system||Depends on lens used|
|RAW Recording options||RAW (Cinema RAW Light)|
|Internal Recording||Cinema RAW Light, MP4|
|Recording time (CFast 2.0™card)||128GB card 15 Mins (4K Cinema RAW Light 1Gbps VBR)|
|Recording time (SD Card)||128GB card 110 mins (MP4, 150Mbps) 485Mins (MP4, 35Mbps)|
|Recording Formats||Cinema RAW Light, (CFast 2.0™) MP4 XF-AVC (SD card. XF-AVC)*|
|Recording Frame Rate||(1) 59.94 Hz mode (59.94P/29.97P/23.98P)|
(2) 50.00 Hz mode (50.00P/25.00P)
(3) 24.00 Hz mode (24.00P)
|Pre Record (cache record)||Yes, 3 seconds|
|Relay Recording||YES, SD Card recording only|
|Double Slot (simultaneous) Recording||YES, SD Card recording only|
|Photo storage media||SD Card|
|Photo Recording Size||2048x1080 (when video image resolution is 4096x2160/2048x1080)|
3840x2160 (when video image resolution is 3840x2160)
1920x1080 (when video image resolution is 1920x1080)
|Wave Form Monitor||Yes|
|Colour Bars||YES, SMPTE / EBU / ARIB|
|Zebra||YES. Zebra 1 Level 5 ±5% to 95 ±5% in 5 percentage point intervals (70 ±5%)|
Zebra 2 Level: 0% to 100% in 5 percentage point intervals (100%)
|Markers||YES, Centre, Horizontal, Grid Aspect Ratio(4:3 / 13:9 / 14:9 / 16:9 / 1.375:1 / 1.66:1 / 1.75:1/1.85:1 / 1.90:1 / 2.35:1 / 2.39:1 / Custom), Safe Area (80% / 90% / 92.5% / 95%)|
|Built- In EVF||YES. 1.77M dots|
|Optional EVF Accessory||Canon EVF-V70 (Also requires CL-V2 bracket)|
|Display Panel||4 inch/10.1cm diagonal LCD Monitor. Touch panel. Approx., 1.23M dots|
|Audio in||XLR x2, 3.5mm Audio, AES/EBU digital or Analog Audio input, Line, Mic, +48V Phantom Power supported|
|HDMI||YES, HDMI 2.0, output only. Max. output resolution 3840 x 2160.Timecode out compatible|
|USB||YES. Mini-B Hi-Speed USB|
|3G/HD-SDI output||YES x 1.BNC jack|
Video [HD]:SMPTE 292. [3G]:SMPTE 424, SMPTE 425
Audio [HD]:SMPTE ST 299-1. [3G]:SMPTE ST 299-2, Output impedance 75 O, Output signal level 0.8 Vp-p
|DC Input||YES, 14.4V DC (Battery), 16.7V DC (DC-In)|
|Power Consumption||50.00P: Cinema RAW Light/MP4; 18.5W (Approx.)|
|Continuous Recording Time (battery)||BP-A30 (3100mAh) 130 Min (Approx.) BP-A60 (6200mAh) 280 Mins (Approx.)|
Cinema Raw Light/4096 x 2160 or MP4/3840 x 2160 recording
|Remote Control Terminal||YES, 2.5mm proprietary connector|
|Wireless Control Terminal||Built-in Wi-Fi. FTP and Browser Remote/Preview|
|Ethernet terminal||YES. FTP CAPABLE, MP4 files only|
|Video connector (For Monitor or EVF)||YES, Canon proprietary connection|
|Exposure metering||(a) Standard (centre-weighted metering)|
(c) Backlight (compensation)
|Exposure compensation||AE shift function . The target value (±8 steps from centre) for the brightness can be set. Indicated as exposure values (EV). (±2.0, ±1.75,|
±1.5, ±1.25, ±1.0, ±0.75, ±0.5, ±0.25, and ±0) are displayed on the screen as AE [numerical values]
|Push Auto Iris||Yes|
|Auto Gain Control setting||No|
|ISO Sensitivity||1-Stop Display: , 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200,102400]|
[---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000, 40000, 51200, 64000, 80000, 102400] [---] When ISO speed expansion is ON.
|Gain setting||[-6dB,-3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB, 54dB]|
[---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
When ISO speed expansion is ON: between -2 dB and 54 dB
When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set.
|Auto Focus System||Dual Pixel CMOS AF supported|
Manual focus, one-shot AF, continuous AF, AF-Boosted MF,face detection AF (only lenses that support AF functions can be used in any of these modes), focus guide
|AF Frame Sizes||Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range; Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range|
|Auto Focus Modes||One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these
modes take effect when the AF/MF switch of the EF lens is at the AF setting.|
One-Shot AF: AF is performed only while the one-shot button to which it has been assigned is held down. No further lens movement is permitted after focusing.
Continuous AF: AF control is performed at all times.
|Face Detection AF||Available; face Priority or Face Only.|
Face Priority: AF is set to face frame when a face is detected, to tracking frame when tracking, and AF frame when there is no face or tracking.
Face Only: Switches to face frame when a face is detected, to tracking frame when tracking, and MF when there is no face or tracking.
In both Face Priority and Face Only, the face to detect can be selected with the joystick.
|Focus Guide||Available; displays focus status or unfocused status using the AF signal|
|Control Modes||Manual only|
|Shutter speed||1/3 stop display: 1/1, 1/1.26, 1/1.59, ---, 1/1600, 1/2000 (total of 34 settings)|
1/4 stop display: 1/1, 1/1.19, 1/1.41, 1.68 ---, 1/1700, 1/2000 (total of 45 settings).
The slowest speed will differ depending on the frame rate setting.
|Shutter Angle||360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25|
Also, angle values equivalent to 1/120, 1/60, 1/40, 1/30, 1/100, 1/50, 3/100, and 1/25
are selectable within the minimum angle range from 360°.
|Slow Shutter (SLS)||59.94(i/P) : 1/4, 1/8, 1/15, 1/30|
29.97P frame rate has been set: 1/4, 1/8, 1/15
24.00P or 23.98P: 1/3, 1/6, 1/12
|Stored Configurations||PRESET: Canon Log 3/Canon Log /BT.709/Off|
GAMMA: Canon Log 3/Canon Log/Wide DR/Normal 1 (Standard)/Normal 2 (x4.0)/Normal 3 (BT.709)/Normal 4 (x5.0)
COLOUR MATRIX: Neutral/Production Camera/Cinema EOS/Original /Video/ Off
|Storage Medium||Internal, SD Card|
|Master Pedestal||0 ± 50|
|Master Black Red||0 ± 50|
|Master Black Green||0 ± 50|
|Master Black Blue||0 ± 50|
|Black Gamma||0 ± 50|
|Low Key Saturation||0 ± 50|
|Knee Point||+ 50 - 95 - +109|
|Knee Slope||-35 - 0 - +50|
|Knee Saturation||0 - ±10|
|Sharpness Level||-10 - 0 - +50|
|Noise Reductions||Off / 1 - 12|
|White Balance Red/Blue Gain||0 - +50|
|Setup Level||(0 - ±50)|
Wi-Fi & GPS
|GPS Information (Optional Accessory)||Location (latitude, longitude and altitude) and GPS information using Coordinated Universal Time (UTC) can be added to RAW movies, MP4 movies and photos. Satellite data acquisition status can be checked in camera mode.|
|W-Fi Specification||Standard: IEEE 802.11b/g/n (2.4 GHz band), IEEE 802.11a/n (5 GHz band) (not supported in Qatar, Indonesia or Iraq) IEEE 802.11b/g/n (2.4 GHz band) IEEE 802.11n/11a (5 GHz band): Differs depending on the model’s destination. Authentication: Open system, WPA-PSK, WPA2-PSK Encryption systems: WEP-64, WEP-128, TKIP, AES|
|Auto||YES. Shockless WB available|
|Manual Setting||Preset A/B, Colour Temperature Setting: 2000K - 15000K|
|Black balance adjustment||Auto Black Balance Adjustment|
|Countup system||Regen, RecRun, FreeRun, TC Hold. Drop Frame /NonDrop Frame ( DF/NDF) in 59.94P/29.97P mode only|
|Recording||Cinema RAW Recording: Linear PCM: 16-bit / 48 kHz / 4 channels|
MP4: MPEG-4 AAC-LC (16-bit / 48 kHz / 2 channels), Linear PCM (16-bit / 48 kHz / 4 channels)
|Dimensions (Main Body Only)||Approx. 144 x 153 x 179 mm (5.7 x 6.0 x 7.0 in)|
Approx. 178 x 153 x 204 mm (7.0 x 6.0 x 8.0 in) [With camera grip attached]
|Weight (Body Only)||Approx. 1430g (3.2lb)|
|Weight ( Supplied Accessories)||Camera Grip GR-V1: Approx.260 g (9.2 oz.)|
LCD Monitor LM-V1: Approx. 185 g (6.5 oz.)
LCD Attachment Unit LA-V1: Approx. 255 g (9.0 oz.) Mic holder unit: Approx. 50 g (1.8 oz.)
Handle Unit HDU-2: Approx. 220 g (7.8 oz.)
Hex Socket Head Bolt:Approx. 5 g (0.18oz.)
BP-A30: Approx. 225 g (7.9 oz.)Unit Cable
UN-5: Approx. 80 g (2.8 oz.)
Thumb rest: Approx. 10 g (0.35 oz.)
Eyecup: Approx. 25 g (0.88 oz.)
|Operating Temperature range||Approx. 0 to 40°C, 85% (relative humidity)|
Approx. -5 to 45°C, 60% (relative humidity)
|Without batteries & media||320g / 11.28oz|
|With batteries & media||-|
|With stand||6.0kg / 13.2lb|
|Dimensions (W x H x D mm)||151 x 91.5 x 31mm|
|Construction||Aluminium alloy chassis with ABS polycarbonate back plate|
|Mounting points||1/4-20 UNCscrew mount; 1x top, 1x bottom|
|Operating power||10 - 19W|
|Compatible batteries||NP-F series and supporting accessories|
|Input voltage (battery)||6.2V to 16.8V|
|Battery time (based on 2 x 7.4V)||5200mAh - up to 2hrs (monitor & record 4K +60p)|
|7800mAh - up to 3hrs (monitor & record 4K 60p)|
* Patent pending
|Continuous power with external adaptor*|
|Resolution||1920 x 1200|
|Aspect ratio||16:9 native|
|Color Gamut||REC709 HDTV|
|Look up table (LUT) support||3D LUT (.cube format)|
|Anamorphic de-squeeze||2x, 1.5x, 1.33x, Panasonic 8:3|
|Technology||SuperAtom IPS panel (capacitive touch), |
calibration to Rec.709 with optional calibration unit
|Supported Log formats||Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,|
Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog
|HDR Recording (Gamut)||Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,|
Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320
/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm
Flog, PQ10k, HLG
|HDR Monitoring (Gamma)||Sony SGamut / SGamut3 / SGamut3.cine / BT2020|
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Red DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut
|HDR Monitoring (Gamut)||Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out|
|Bit depth||10-bit (8+2 FRC)|
|Brightness||1000nit (+/- 10% @ center)|
|HDR input (PQ/HLG)|
HDR output (PQ/HLG)
|Yes / Yes|
Yes / Yes
|HDMI||1 x HDMI (2.0)|
|Signal||Uncompressed true 10-bit or 8-bit 422|
|HDMI||1 x HDMI (2.0)|
|Signal||Uncompressed true 10-bit or 8-bit 422|
(playback file dependent)
|HDMI to HDMI||720p 50/60, 1080i 50/60,|
|SDI to SDI||-|
|HDMI to SDI||-|
|SDI to HDMI||-|
|Video||Up to 4Kp60|
|Audio||12 channels digital 24-bit 96KHz|
ProRes / DNxHR
(DNx utilizes a .MOV wrapper)
|Apple ProRes HQ, 422,
LT AVID DNxHR HQX. HQ,
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
1080i; 50/60i, 720p; 50/60p
|Pulldown removal||24/25/30pSF > 24/25/30p (2:2 pulldown)|
60i > 24p (3:2 pulldown)
|4K UHD downscale for HD monitoring||Yes - Loop-out and playback|
|HDMI||2 or 8ch 24-bit, camera dependent|
|Audio||Line in / Mic in / Headphone out 2ch 48kHz 24-bit|
|HDMI||Auto HDMI Trigger|
Supported Protocols - Canon, Sony, Atomos Open Standard
|Other||LANC control - Slave|
|Playlist / Genlock / LTC||Yes / - / -|
|CDNG (Recorded content)||N/A|
|ProRes (Recorded content)||All recorded files can playback. Playback in slow motion.|
|DNxHR / DNxHD (recorded content)||All recorded files can playback. Playback in slow motion.|
|Pre-roll record||Yes (HD 8s, 4K 2s)|
|Meta data tagging||Yes (10 tags available)|
|Supported media||2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives|
|Master caddy case||Master Caddy II (included)|
75mm x 105mm x 12mm
|Master caddy dock||2.5” SATA to USB 2.0/3.0|
|Supported applications||Supported Applications FCPX/FCP7+ / Media Composer|
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
|XML support||FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools|
Contains C 200, Atomos Ninja, Power Kit (Additional Battery)