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Sony VENICE CineAlta Camera (Body)
VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032*. By switching imager modes, VENICE can natively support Super35 24.9x18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9x14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film).
In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame* or Super35. CineAlta 6K FullFrame camera, 8step internal ND filtersystem, PL Mount, incl. 2years PrimeSupport Elite Gold
With VENICE, Sony is giving users the option to customize their camera by only enabling the features needed, according to their individual production requirements. Licenses will be available to expand the camera’s capabilities with new features including 4K anamorphic and full-frame*.
Features:
PL Lens Mount
VENICE comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology. Lens information is recorded as metadata frame by frame.
Lever Lock Type E-mount*
E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don't need to be removed, saves time during a production.
* Firmware update required
Depth of Field
As the sensor size gets larger, depth of field becomes shallower. VENICE’s wide 36 mm full-frame sensor can capture images that have the equivalent of 1-2 stops shallower depth of field compared to Super35.*
* Firmware update required
Anamorphic Look
VENICE’s support for anamorphic lenses combined with its ability to shoot 4:3 aspect ratio at a horizontal resolution of 4K allows the capture of breathtakingly beautiful images with stunning lens flare, bokeh and emotional impact.
6K High Resolution*
The stunning full 6K resolution of the camera can be recorded directly in X-OCN (16 bit Extended tonal range Original Camera Negative) file format. Also, XAVC 4K can be captured onto SxS cards while still sampling from the full 6K resolution of the sensor.
* Firmware update required
World
In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame* or Super35. CineAlta 6K FullFrame camera, 8step internal ND filtersystem, PL Mount, incl. 2years PrimeSupport Elite Gold
With VENICE, Sony is giving users the option to customize their camera by only enabling the features needed, according to their individual production requirements. Licenses will be available to expand the camera’s capabilities with new features including 4K anamorphic and full-frame*.
Features:
PL Lens Mount
VENICE comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology. Lens information is recorded as metadata frame by frame.
Lever Lock Type E-mount*
E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don't need to be removed, saves time during a production.
* Firmware update required
Depth of Field
As the sensor size gets larger, depth of field becomes shallower. VENICE’s wide 36 mm full-frame sensor can capture images that have the equivalent of 1-2 stops shallower depth of field compared to Super35.*
* Firmware update required
Anamorphic Look
VENICE’s support for anamorphic lenses combined with its ability to shoot 4:3 aspect ratio at a horizontal resolution of 4K allows the capture of breathtakingly beautiful images with stunning lens flare, bokeh and emotional impact.
6K High Resolution*
The stunning full 6K resolution of the camera can be recorded directly in X-OCN (16 bit Extended tonal range Original Camera Negative) file format. Also, XAVC 4K can be captured onto SxS cards while still sampling from the full 6K resolution of the sensor.
* Firmware update required
World
General
Camera
Recording
Inputs / Outputs
* - Firmware update required
| Power Requirements | DC12V (1117.0V) DC24V (22~32.0V) |
| Operating Temperature | 0 to 40 |
| Storage Temperature | -20 to 60 |
| Mass | Approx. 3.9kg (8lb 10oz) (without lens, handle, VF attachment expansion bottom plate and accessories) |
| Dimensions | 133 x 159 x 172 mm (without protrusion) |
Camera
| Imaging Device | Full-Frame CMOS |
| Imaging Device Pixel Count | 24.7M (total), 24.4M (effective) |
| Imaging Device Size | 36.2x24.1mm. 43.5mm (diagonal) |
| Built-In ND Filters | Clear, 0.3(1/2), 0.6(1/4), 0.9(1/8), 1.2(1/16), 1.5(1/32), 1.8(1/64), 2.1(1/128), 2.4(1/256) |
| ISO Sensitivity | ISO500 |
| Lens Mount | PL Mount E-mount (lever lock type, without supplied PL lens mount adaptor) |
| Latitude | 15+ Stop |
| Select FPS* | Imager mode: 3.8K 16:9, 4K 17.9: 1-60FPS 4K 4:3: 1-48FPS 4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS 6K 3:2: 1-24FPS |
| White Balance | 2000~15000Kelvin and Green/Magenta adjust, AWB* |
| Gamma Curve | S-Log3 |
Recording
| Recording Format (Video) | XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p XAVC QFHD Class480: 23.98p, 25p, 29.97p XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p MPEG HD422(1920x1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i |
| Recording Format (RAW/X-OCN) *required AXS-R7 | RAW SQ: 4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p 3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p X-OCN ST/LT: 6K 3:2(6048 x 4032)*: 23.98p, 24p, 6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p 6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p 6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p 5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p 4K 6:5(4096x3432)*:23.98p, 24p, 25p, 29.97p 4K 4:3(4096x3024) :23.98p, 24p, 25p*, 29.97p* 4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p 3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
| Recording Format (Audio) | LPCM 4ch , 24-bit48-kHz |
Inputs / Outputs
| DC Input | XLR-type 4pin (male) |
| Battery DC Input | Square-shaped 5pin connector |
| DC Output | 12V: Hirose 4pin x1 24V: Fischer 3pin x2 |
| SDI Output | BNC4, (12G, 3G, 1.5G-SDI) |
| HD MONI Output | BNCx1 (1.5G-SDI) |
| HDMI Output | Type A 1 |
| VF | LEMO 26pin |
| Audio Input | XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable) |
| Timecode Input | BNC x1 |
| Genlock Input | BNC x1 |
| AUX | LEMO 5pin (female) x1 (Timecode Output) |
| Remote* | 8pin x1 |
| Lens* | 12pin x1 |
| Lens Mount Hot Shoe | 4pin x2, conforming to Cooke /i Intelligent Electronic Lens System |
| Network* | RJ-45 type x1, 10BASE-T, 100BASE-TX |
| USB* | USB host, type-A x1 |
| Headphone Output | Stereo mini jack x1 |
| Speaker Output | Monaural |
| Media Type | ExpressCard/34 slot2 SD card slot 1 |
* - Firmware update required
1 x Sony VENICE (body only)