1 X ARRI ALEXA MINI. PLUS LICENSES FOR ARRIRAW. 4:3 ANAMORPHIC.
SER NO: K1. 0003873-21511.
OPERATING HOURS. 1231:51.
PL MOUNT. TITANIUM LDS PLUS L-BUS CONNECTOR. ORIGINAL BOX.
1 X ALEXA MINI EVF PLUS 2 X CABLES. K2. 0005861-7763.
1 X BATTERY ADAPTER PLATE. BAP-2.
1 X BATTERY ADAPTER PLATE. BAP-1.
2 X MAP-1. K2. 0006334.
2 X MAP-2. K2. 0006347.
1 X BPA-4 K2. 0006352
2 X MSB-1. K2. 0006348.
2 X RMB-3. K2. 0006186.
1 X ALEXA MINI TOP HANDLE. K2. 73002.0-CCH-2.
2 X MEDIUM 15MM RODS. STEEL.
2 X LONG 15MM RODS. STEEL.
1 X CODEX C-FAST CARD READER PLUS CABLE.
1 X ARRI SHOULDER PAD. CSP-1. K2. 0006807.
1 X ARRI LO-BRACKET. FOR CSP-1. K2. 0008408.
1 X GOLD MOUNT BATTERY PLATE
1 X V-MOUNT BATTERY PLATE
But this camera is more than just lightweight. It offers unparalleled image quality thanks to its 35mm CMOS sensor, 4K UHD ProRes images and frame rates of up to 200fps. The Mini may be compact, but it’s strong, sturdy and built for any environment. It is the go-anywhere broadcast companion, easy to fit into backpacks without compromising on performance.
Super lightweight and easy to handle, the Mini employs a number of unique design solutions and state-of-the-art materials to deliver ruggedness, performance and agility. A lightweight carbon housing, solid titanium PL mount and super-stable titanium sensor mount reinforce the famed trustworthy ARRI build quality. Versatile and nimble to use, solid on set, this camera really doesn’t do limits.
You can now go above and beyond, thanks to the ARRI ALEXA Mini’s magnificent compact body and optimal design, supplemented with new-generation brushless gimbals, multicopters and other specialised rigs. Its outstanding low-light performance means the Mini is also ideal for underwater work. There are underwater housings currently in-development for the ARRI ALEXA Mini by leading manufacturers.
Time is precious. By keeping everything within a single system, time is saved on-set. The ALEXA Mini means an end to configuring third-party cameras for specialised shots.
With a 4:3 sensor and automatic de-squeeze function, images will be perfectly matched, even on anamorphic productions, with any other ALEXA camera. Workflows can now be identical with the option to record ProRes or uncompressed ARRIRAW, either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder.
Then there’s the ARRI ALEXA Mini’s symmetrical design. It offers the freedom to film in any orientation, including upside-down in portrait mode, facilitated with multiple accessory points for creative mounting options. The Mini’s interchangeable lens mount can also be substituted with any other lens designed for ARRI AMIRA. This permits the use of B4 video and EF mount stills lenses.
The ARRI ALEXA Mini offers a whole range of versatile mounting and shooting options. This is thanks to innovative design features such as wireless remote control, either on-board motor operated (via the user button interface on the camera body) or via the ARRI MVF-1 multi viewfinder attachment.
The advantage of its super lightweight carbon body means a comfortable, easy to operate camera in a hand rig at arm’s length. Compact and powerful, it is ideal in tight, restrictive shooting conditions and delivers an extremely quiet operation.
Save time on-set with the ARRI ALEXA Mini’s maximum frame rate of up to 200fps, offering super slow-motion cinematography. Similarly, save time i
|Active Photo Sites (with surround view)||S16 HD: 1600 x 900 (1760 x 980)|
HD: 2880 x 1620 (3168 x 1772)
2K: 2868 x 1612 (3154 x 1764)
3.2K: 3200 x 1800 (3424 x 1926)
4K UHD: 3200 x 1800 (3424 x 1926)
4:3 2.8K: 2880 x 2160 (3168 x 2160)
2.39:1 2K Ana.: 2560 x 2145 (3424 x 2202)
HD Ana.: 1920 x 2160 (3424 x 2202)
Open Gate 3.4K: 3424 x 2202 (3424 x 2202)
|Shutter||Electronic shutter, 5.0° to 356.0°|
|Exposure Latitude||14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)|
|Exposure Index||EI 800 base sensitivity|
|Filters||Built-in motorized ND filters 0.6, 1.2, 2.1|
|Lens Mounts||Titanium PL mount with L-Bus connector and LDS|
PL mount with Hirose connector and LDS
B4 mount with Hirose connector(A)
|Recording Media||CFast 2.0 memory cards|
S16 HD: 1920 x 1080 (up-sampled from 1600 x 900)
HD: 1920 x 1080
2K Cine 16:9: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160 (up-sampled from 3.2K)
4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160)
Anamorphic ProRes formats with 2x in-camera de-squeeze:
HD Anamorphic: 1920 x 1080*
2.39:1 2K Anamorphic: 2048 x 858*
MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files):
2.8K 16:9: 2880 x 1620**
Open Gate: 3424 x 2202***
MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes:
4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)***
2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K)***
16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K)***
*) requires ALEXA Mini 4:3 License Key,
**) requires ALEXA Mini ARRIRAW License Key,
***) requires both ALEXA Mini 4:3 and ARRIRAW Licenses Keys
|Recording Codec||ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAW|
|Recording Frame Rates||16:9|
ProRes HD 0.75 - 200 fps
ProRes S16 HD 0.75 - 200 fps
ProRes 2K 0.75 - 200 fps
ProRes 3.2K 0.75 - 60 fps
ProRes UHD 0.75 - 60 fps
MFX/ARRIRAW 16:9 2.8K 0.75 - 48 fps
ProRes 4:3 2.8K 0.75 - 50 fps
ProRes 2:39:1 2K Ana. 0.75 - 120 fps
ProRes HD Ana. 0.75 - 120 fps
MFX/ARRIRAW 3.4K Open Gate 0.75 - 30 fps
* 4:3 cropped
** Center crop from anamorphic
(1) Minimum frame rate is always 0.75 fps
(2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)
|Colour Output||Rec 709, custom look or Log C|
|Look Control||Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)|
|Adjustable Image Parameters||Knee, gamma, saturation, black gamma, saturation by hue|
|Focus and Exposure Control||Peaking, zebra, false color, waveform|
|White Balance||Manual and auto white balance|
|Sound Level||< 20 dB(A) at standard frame rates|
|Environmental||'-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing splash and dust-proof through sealed electronics|
|Viewfinder||Multi Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen and military-grade connector to camera Camera Control Panel (CCP-1) LCD control panel with option to daisy-chain MVF-1|
|Control Interface||Soft buttons and OSD on SDI output, integration of Transvideo Starlite HD5-ARRI touch interface WCU-4 hand-unit with control over operational parameters.|
|ARRI Lens Motor Control||Built-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data Archive|
|Wi-Fi Remote Control||Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops|
|Custom Control||Optional GPIO interface for integration with custom control interfaces|
|Power Input||Lemo 8-pin, 10.5-34 V DC|
|Video Outputs||2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, 6G SDI in UHD and 3.2K recording modes.|
|Inputs||SDI-Genlock (optional activation through ARRI Service), Timecode (in and output)|
|Other Interfaces||USB 2.0 (for user sets, looks etc.)|
Ethernet for service and web remote control
EXT accessory interface w. RS pin and unregulated power output (outputs battery voltage)
|Dimensions (L x W x H)||185 x 125 x 140mm | 7.3 x 4.9 x 5.5"|
camera body with PL lens mount
|Weight||2.3kg | 5lbs|
(camera body with titanium PL lens mount)