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Blackmagic URSA Mini Pro 4.6K Cinema Camera EF


Professional digital film camera with cinematic 4.6K Sensor
  • 4.6K Super35 CMOS Sensor
  • Canon EF mount as Standard
  • (PL and B4 mounts sold separate)
  • 4.6K Raw up to 60p
  • 1080p/120fps Super Slow Motion
  • CinemaDNG Raw or 10 & 12bit ProRes
  • ENG controls and ergonomics
  • Built in ND Filters
  • Cfast 2.0 and SDXC Card Slots
  • Dual XLR Inputs
  • Dedicated Viewfinder (Sold Separately)

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  • Professional digital film camera
  • Combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera
  • Super 35mm 4.6K sensor with 15 stops of dynamic range
  • Built in ND filters,
  • User changeable lens mount
  • RAW and ProRes format recording to dual media CFast or SD cards

  • Connections
  • Total Video Input: 1 x SDI
  • Total Video Output: 1 x SDI, 1 x SDI Monitoring
  • SDI Rates: 1.5G, 3G, 6G, 12G
  • Analogue & AES Audio Input: 2 x XLR analog switchable between mic, line and AES audio. Phantom power support
  • Analogue Audio Output: 1 x 3.5mm headphone jack, supports iPhone microphone for talkback
  • Reference Input: Tri-Sync/Black Burst/Timecode
  • Remote Control: 2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses
  • Computer Interface: USB Type-C for software updates

  • The perfect camera for digital film, broadcast, live production and more.
    URSA Mini Pro is “three cameras in one” because it combines high end digital film quality with the ergonomics and features broadcasters need. It’s ideal for any kind of work from high end feature films, television shows and commercials, to independent films, broadcast news, and even studio and live production! URSA Mini Pro features beyond Ultra HD 4.6K resolution plus 15 stops of dynamic range, all with a super wide color gamut and DaVinci color science so you always capture cinematic quality images. The super compact body features broadcast camera ergonomics and advanced operating software that make it faster to set up and use than any other camera! Whether you’re on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project.

    Revolutionary URSA Design
    URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere! Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It’s a true professional camera with full redundancy on every control, even the power switch! Plus, the tactile controls allow full setting changes without having to take the camera off your shoulder! There’s an external high visibility LCD status display so you can see critical shooting information, and a 4” foldout touch screen for reviewing shots so you don’t have to carry an extra on-set monitor! You get professional connections such as 12G-SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by ad

    Effective Sensor Size
    25.34mm x 14.25mm (Super35)

    Lens Mount
    EF Mount (Interchangable with PL and B4 mount)

    Lens Control
    Electronic control via EF mount pins or 12-pin broadcast connector for compatible lenses

    Dynamic Range
    15 Stops

    Shooting Resolutions
    4608 x 2592, 4608 x 1920 (4.6K 2.40:1), 4096 x 2304 (4K 16:9), 4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 3072 x 2560 (3K Anamorphic), 2048 x 1152 (2K 16:9), 2048x1080 (2K DCI), 1920 x 1080

    Frame Rates
    Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60p in 4.6K, 120p in 2K windowed

    Built in ND Filters
    Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters

    Focus button turns on peaking, auto focus available using compatible lenses

    Iris Control
    Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode

    Screen Dimensions

    Screen Type
    LCD capacitive touchscreen

    Metadata Support
    Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes

    Touchscreen menus on 4” screen. Push buttons for other controls. 2 assignable shortcut keys

    Timecode Clock
    Highly accurate timecode clock. Less than 1 frame drift every 19 hours

    Total Video Input1 x SDI
    Total Video Output1 x SDI, 1 x SDI Monitoring
    SDI Rates1.5G, 3G, 6G, 12G
    Optical SDINone
    Analog & AES Audio Input2 x XLR analog switchable between mic, line and AES audio. Phantom power support
    Analog Audio Output1 x 3.5mm headphone jack, supports iPhone microphone for talkback
    Reference InputTri-Sync/Black Burst/Timecode
    Remote Control2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses
    Computer InterfaceUSB Type-C for software updates

    MicrophoneIntegrated stereo microphone
    Built-in Speaker1 x mono speaker

    SD Video StandardsNone
    HD Video Standards1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
    Ultra HD Video Standards2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
    SDI ComplianceSMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
    SDI Audio Sampling48 kHz and 24 bit

    Media2 x CFast for 4.6K RAW and ProRes recording. 2 x SD UHS-II card slots for HD and Ultra HD recording
    Media FormatCan format discs to ExFAT (Windows/Mac) or HFS+ (Mac) file systems

    Supported Codecs
    CinemaDNG RAW, CinemaDNG RAW 3:1
    CinemaDNG RAW 4:1, Apple ProRes 4444 XQ
    QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ
    QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime
    ProRes 422 Proxy QuickTime

    External Control
    Via SDI Input from ATEM switcher or Blackmagic 3G-Arduino Shield

    Color Corrector
    DaVinci YRGB

    Talkback and Tally
    Live Tally Indicator
    Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder

    SDI Channels 15 and 16

    Storage TypeStorage RatesRecording Formats
    2 x CFast 2.0
    2 x SD UHS-II cards
    4608 x 2592
    CinemaDNG RAW - 513MB/s
    CinemaDNG RAW 3:1 - 180 MB/s
    CinemaDNG RAW 4:1 - 135 MB/s

    3840 x 2160
    Apple ProRes 444 XQ - 250 MB/s
    Apple ProRes 444 - 165 MB/s
    Apple ProRes 422 HQ - 110 MB/s
    Apple ProRes 422 - 73.6 MB/s
    Apple ProRes 422 LT - 51 MB/s
    Apple ProRes Proxy - 22.4 MB/s

    1920 x 1080
    Apple ProRes 444 XQ - 62.5 MB/s
    Apple ProRes 444 - 41.25 MB/s
    Apple ProRes 422 HQ - 27.5 MB/s
    Apple ProRes 422 - 18.4 MB/s
    Apple ProRes 422 LT - 12.75 MB/s
    Apple ProRes Proxy - 5.6 MB/s
    Storage rates based on 30 frames per second
    Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080. Apple ProRes 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with either film or video dynamic range

    URSA Mini Pro body
    Turret dust cap
    EF lens mount
    Side Handle with LANC Cable and strap
    Power supply
    SD card with software and manual
    DaVinci Resolve Studio USB dongle