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Alexa Mini Anamorphic and ARRIRAW Licenses


More than just lightweight, the Alexa Mini offers unparalled image quality thanks to its 35mm CMOS sensor
  • 4K UHD ProRes images
  • Uncompressed ARRIRAW up to 30fps
  • Super-lightweight carbon body
  • Frane rates up to 200fps
  • 4:3 anamorphic mode

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Exc VAT Price £36,267.50
Inc VAT Price £43,521.00
Cat no. ARRI-K0.0010045



In a nutshell
Complementing the ALEXA range is the compact, lightweight and self-contained ARRI ALEXA Mini. This versatile video camera offers far more freedom and opportunity for creativity.

But this camera is more than just lightweight. It offers unparalleled image quality thanks to its 35mm CMOS sensor, 4K UHD ProRes images and frame rates of up to 200fps. The Mini may be compact, but it’s strong, sturdy and built for any environment. It is the go-anywhere broadcast companion, easy to fit into backpacks without compromising on performance.

In the hands
Super lightweight and easy to handle, the Mini employs a number of unique design solutions and state-of-the-art materials to deliver ruggedness, performance and agility. A lightweight carbon housing, solid titanium PL mount and super-stable titanium sensor mount reinforce the famed trustworthy ARRI build quality. Versatile and nimble to use, solid on set, this camera really doesn’t do limits.

You can now go above and beyond, thanks to the ARRI ALEXA Mini’s magnificent compact body and optimal design, supplemented with new-generation brushless gimbals, multicopters and other specialised rigs. Its outstanding low-light performance means the Mini is also ideal for underwater work. There are underwater housings currently in-development for the ARRI ALEXA Mini by leading manufacturers.

Ideal for
Time is precious. By keeping everything within a single system, time is saved on-set. The ALEXA Mini means an end to configuring third-party cameras for specialised shots. 

With a 4:3 sensor and automatic de-squeeze function, images will be perfectly matched, even on anamorphic productions, with any other ALEXA camera. Workflows can now be identical with the option to record ProRes or uncompressed ARRIRAW, either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder.

Then there’s the ARRI ALEXA Mini’s symmetrical design. It offers the freedom to film in any orientation, including upside-down in portrait mode, facilitated with multiple accessory points for creative mounting options. The Mini’s interchangeable lens mount can also be substituted with any other lens designed for ARRI AMIRA. This permits the use of B4 video and EF mount stills lenses.

Key Features you need to know about
The ARRI ALEXA Mini offers a whole range of versatile mounting and shooting options. This is thanks to innovative design features such as wireless remote control, either on-board motor operated (via the user button interface on the camera body) or via the ARRI MVF-1 multi viewfinder attachment.

The advantage of its super lightweight carbon body means a comfortable, easy to operate camera in a hand rig at arm’s length. Compact and powerful, it




Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)
Camera type35 mm format film-style digital camera with lightweight and compact carbon body, switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System as well as Lens Data Archive.
DimensionsLength: 185 mm/7.3"
Width: 125 mm/4.9"
Height: 140 mm/5.5"
(camera body with PL lens mount)
Click here for dimensional drawings
Weight~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)
Sensor35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
Active photo sites (with surround view)S16 HD: 1600 x 900 (1760 x 980)
HD: 2880 x 1620 (3168 x 1772)
2K: 2868 x 1612 (3154 x 1764)
3.2K: 3200 x 1800 (3424 x 1926)
4K UHD: 3200 x 1800 (3424 x 1926)
4:3 2.8K: 2880 x 2160 (3168 x 2160)
2.39:1 2K Ana.: 2560 x 2145 (3424 x 2202)
HD Ana.: 1920 x 2160 (3424 x 2202)
Open Gate 3.4K: 3424 x 2202 (3424 x 2202)
ShutterElectronic shutter, 5.0° to 356.0°
Exposure latitude14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure indexEI 800 base sensitivity
FiltersBuilt-in motorized ND filters 0.6, 1.2, 2.1
Lens mountsTitanium PL mount with L-Bus connector and LDS
EF mount
PL mount with Hirose connector and LDS
B4 mount with Hirose connector(A)
Recording mediaCFast 2.0 memory cards
Recording formatsProRes:
S16 HD: 1920 x 1080 (up-sampled from 1600 x 900)
HD: 1920 x 1080
2K Cine 16:9: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160 (up-sampled from 3.2K)
4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160)

Anamorphic ProRes formats with 2x in-camera de-squeeze:
HD Anamorphic: 1920 x 1080*
2.39:1 2K Anamorphic: 2048 x 858*

MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files):
2.8K 16:9: 2880 x 1620**
Open Gate: 3424 x 2202***

MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes:
4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)***
2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K)***
16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K)***

Notes: *) requires ALEXA Mini 4:3 License Key,
**) requires ALEXA Mini ARRIRAW License Key,
***) requires both ALEXA Mini 4:3 and ARRIRAW Licenses Keys

Click here for a drawing with details about the recording areas, surround views and framelines
Recording codecProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAW
Recording frame rates16:9
ProRes HD 0.75 - 200 fps
ProRes S16 HD 0.75 - 200 fps
ProRes 2K 0.75 - 200 fps
ProRes 3.2K 0.75 - 60 fps
ProRes UHD 0.75 - 60 fps
MFX/ARRIRAW 16:9 2.8K 0.75 - 48 fps

ProRes 4:3 2.8K 0.75 - 50 fps

ProRes 2:39:1 2K Ana. 0.75 - 120 fps

ProRes HD Ana. 0.75 - 120 fps

Open Gate
MFX/ARRIRAW 3.4K Open Gate 0.75 - 30 fps

Notes: * 4:3 cropped
** Center crop from anamorphic
(1) Minimum frame rate is always 0.75 fps
(2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)

Click here for a detailed table of frame rates
Color outputRec 709, custom look or Log C
Look control
Adjustable image parametersKnee, gamma, saturation, black gamma, saturation by hue
Focus and exposure controlPeaking, zebra, false color, waveform
White balanceManual and auto white balance
Sound level< 20 dB(A) at standard frame rates
Environmental'-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing splash and dust-proof through sealed electronics
ViewfinderMulti Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen and military-grade connector to camera Camera Control Panel (CCP-1) LCD control panel with option to daisy-chain MVF-1
Control interfaceSoft buttons and OSD on SDI output, integration of Transvideo Starlite HD5-ARRI touch interface WCU-4 hand-unit with control over operational parameters.
ARRI lens motor controlBuilt-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data Archive
Wi-Fi remote controlBuilt-in Wi-Fi interface and web-based remote control from phones, tablets and laptops
Custom controlOptional GPIO interface for integration with custom control interfaces
Power inputLemo 8-pin, 10.5-34 V DC
Video outputs2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, 6G SDI in UHD and 3.2K recording modes.
InputsSDI-Genlock (optional activation through ARRI Service), Timecode (in and output)
Other interfacesUSB 2.0 (for user sets, looks etc.)
Ethernet for service and web remote control
EXT accessory interface w. RS pin and unregulated power output (outputs battery voltage)
  • K1.0003873 1 x ALEXA Mini Body
  • 10.0008147 1 x ALEXA Mini 4:3 License Key
  • 10.0008148 1 x ALEXA Mini ARRIRAW License Key



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1. Add products you would like to purchase to the basket (min total of £1000.00 without VAT).2. In payment method choose “Finance your order with Azule finance”3. Fill in the form (it takes less than 3 minutes) and choose a suitable term of finance.4. Once submitted you will receive an instant decision with further instructions

About Azule:
Affording Creativity, that’s our moto. We strive to help our customers achieve their true, creative potential and take risks with those willing to grow their business. For over 10 years we’ve been financing equipment for film, stills and broadcast specialists in the UK and across Europe. We’re here to offer fast reliable funding solutions to match your equipment requirements.1. WE are a friendly, approachable team; happy to offer you help and advice whenever you need it2. YOU only need to fill out a very quick and simple online form that takes 3 minutes3. YOU will either receivean instant application decision, or a response within 24 hours4. WE have 25 years of specialist industry experience covering broadcast, media, AV and photography5. WE will always do our best to find a solution to even the most complicated deals6. YOU can apply for finance through Azule from anywhere in Europe

Benefits of a lease
You use the kit over an agreed period Your payments can be offset against tax You pay VAT on each monthly instalment